Concerto for Violoncello and Orchestra

  1. 1) I.

    9.45

  2. 2) Cadenzas

    8.07

  3. 3) II.

    8.08

  4. 4) III.

    4.29

Interludium A

  1. 5) Interludium A

    11.28

Glissées for Solo Cello

  1. 6) I.

    3.56

  2. 7) II.

    4.07

  3. 8) III.

    3.30

  4. 9) IV.

    4.32

Fanfare & Memorial

  1. 10) Fanfare & Memorial

    16.33

Concerto for Violin and Orchestra No.1

  1. 1) I.

    13.59

  2. 2) II.

    12.36

  3. 3) III.

    13.39

Kontraste. Two Pieces for Violin solo

  1. 4) I.

    10.17

  2. 5) II.

    7.36

Gasa, for Violin and Piano

  1. 6) Gasa, for Violin and Piano

    14.38

CD information

Uncompromising in his life as he was in his music, Korean composer Isang Yun (1917–95) held fast to his dream of a united Korea, even as he was unjustly accused of espionage for North Korea and sentenced to imprisonment and death. From a life of unimaginable oppression and torture emerges music of raw emotional power, heard on ISANG YUN: Sunrise Falling, a centennial commemoration of Yun’s life and music from the PENTATONE Oxingale Series. Maestro Dennis Russell Davies, a longtime collaborator and advocate for Yun, curates the program and conducts the Bruckner Orchestra Linz. A cellist himself, Yun’s fascinating, highly autobiographical Concerto for Violoncello and Orchestra (1975/76) anchors the album. In a live performance, cellist Matt Haimovitz tackles the controlled chaos of Yun’s score, bursting with passion, despair, and new timbral textures, such as the use of a plectrum to emulate the Korean zither, the kŏmun’go. Yun’s Concerto for Violin and Orchestra No. 1 (1981) features violinist Yumi Hwang-Williams, who reflects upon her own emotional return to Korea in 2015, where she performed the work at a Festival in honor of Yun. The double album also includes the orchestral Fanfare & Memorial, and additional illuminating solo works by Yun performed by pianist Maki Namekawa, Hwang-Williams, and Haimovitz. 100 years after Isang Yun’s birth, the two Koreas still teeter on a razor’s edge, with ever more global ramifications. His music opens the gate to a lost, united land, with Yun’s own heart bleeding but ever hopeful.