INTIMATE PERFORMANCE OF MOZART’S UNFINISHED MASS
Marc Minkowski, Ana Maria Labin, Ambroisine Bré , Stanislas de Barbeyrac, Norman Patzke , Les Musiciens du Louvre
Marc Minkowski and Les Musiciens du Louvre present a new recording of Mozart’s Mass in C Minor, the iconic opening Kyrie of which is among the most cherished religious music ever written. Mozart performed parts of the Mass in 1783, but the score remained unfinished, making the use of a scholarly edition necessary for a complete performance. Despite its unfinished state, Mozart’s Mass in C Minor has gained popularity and now enjoys a place in the choral core repertory. For this recording, made in connection to live performances, Minkowski has chosen Helmut Eder’s 1985 edition for the Neue Mozart-Ausgabe. He performs it in a chamber-like setting with his regular ensemble Les Musiciens du Louvre, a small ripieno choir and four outstanding soloists: Ana Maria Labin, Ambroisine Bré, Stanislas de Barbeyrac and Norman Patzke. Since its foundation in 1982, and under the baton of its founder and musical director Marc Minkowski, Les Musiciens du Louvre have developed into one of the world’s best period-instrument ensembles, with a vast discography. This recording marks their PENTATONE debut.
This album will be released as 1 CD and in digital formats for streaming and high-resolution downloads. (Article number: PTC 5186812)
MOVING PORTRAIT OF LIFE UNDER SOVIET REIGN
Oleg Tsibulko, Kirill Karabits , Russian National Orchestra , Popov Academy of Choral Arts ChoirKozhevnikov Choir
The Russian National Orchestra continues its Shostakovich cycle with Symphony No. 13, “Babi Yar”, together with bass Oleg Tsibulko, the Popov Academy of Choral Arts Choir, the Kozhevnikov choir and maestro Kirill Karabits. Inspired by Yevgeny Yevtushenko’s poem “Babi Yar” about a Nazi massacre of Jews just outside Kiev in 1941, Shostakovich based the Symphony on five of the author’s poems. The texts reflect on the peculiarities of daily existence in Stalinist Russia, providing a deep insight into life under Soviet reign. After the sombre, impressive opening movement, Shostakovich alternates between a satirical stance, humour, and portraying the hardships of the Stalinist reality, leading up to the innocent beauty of the symphony’s finale. One special aspect of this recording is the Russian National Orchestra’s collaboration with an Ukrainian bass soloist and conductor, underlining the shared cultural and political heritage of both countries. The Russian National Orchestra is among the most important orchestras in the world and has a vast, multi-award-winning PENTATONE discography. Kirill Karabits features on Tchaikovsky Treasures (2019) with Guy Braunstein and the BBC Symphony Orchestra. Oleg Tsibulko, the Popov Academy of Choral Arts Choir and the Kozhevnikov choir all make their PENTATONE debut.
This album will be released as 1 SACD and in digital formats for streaming and high-resolution downloads. (Article number: PTC 5186618)