Ives: Piano Sonata Nr. 1

  1. 1) I. Adagio con moto

    9.33

  2. 2) II.a Allegro moderato

    1.40

  3. 3) II.b “In the Inn” – Allegro

    4.19

  4. 4) III. Largo-Allegro-Largo, come prima

    7.27

  5. 5) IV.a

    3.45

  6. 6) IV.b Allegro-presto

    1.26

  7. 7) V. Andante maestoso

    13.21

Bartók: Improvisations on Hungarian Peasant Songs, op. 20

  1. 8) Molto moderato

    1.04

  2. 9) Molto capriccioso

    0.53

  3. 10) Lento, rubato

    2.09

  4. 11) Allegretto scherzando

    0.48

  5. 12) Allegro molto

    0.56

  6. 13) Allegro moderato, molto capriccioso

    1.32

  7. 14) Sostenuto, rubato

    2.00

  8. 15) Allegro

    1.58

Olivier Messiaen

  1. 16) Canteoydjaya

    12.02

J.S. Bach: Aria variata alla maniera italiana in A Minor, BWV 989

  1. 17) Aria

    2.42

  2. 18) Variation I. Largo

    1.16

  3. 19) Variation II

    1.07

  4. 20) Variation III

    0.56

  5. 21) Variation IV. Allegro

    1.00

  6. 22) Variation V. Un poco allegro

    1.00

  7. 23) Variation VI. Andante

    1.38

  8. 24) Variation VII. Un poco allegro

    0.53

  9. 25) Variation VIII. Allegro

    0.48

  10. 26) Variation IX

    0.39

  11. 27) Variation X

    2.32

CD information

INFLUENCES AS THE KEY TO AUTHENTICITY

On her first PENTATONE album, pianist Tamara Stefanovich presents a highly personal selection of solo works by Bach, Bartók, Ives and Messiaen. Influences shows how these extraordinarily original and idiosyncratic composers let themselves be inspired by the exterior world, thereby demonstrating how authenticity comes from looking outside as well as inside. The repertoire spans from Bach’s embrace of Italian musical elements in his Aria variata alla maniera italiana, Bartók’s incorporation of folk elements in his Improvisations on Hungarian Peasant Songs, and Messiaen’s use of Hindu rhythms in Cantéyodjayâ to the collage of marching bands, sounds of trains and machinery, church hymns, ragtime and blues in Ives’ first piano sonata. In all cases, the exterior influences lead to deeply original and personal sonic galaxies. In that respect, the pieces presented here underline how identity results from a constant dialogue with our surroundings, ever changing and enriching our perceptions of ourselves and the world.