Our wonderful Operations and A&R Coordinator, Alice Lombardo, has selected Shostakovich: Symphonies Nos. 5 & 7, performed by Semyon Bychkov and the Czech Philharmonic, as PENTATONE’s Pick of the Month!
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News
November 10, 2026
Rafael Payare & OSM cover Gramophone Magazine’s November issue
Our release of Ravel: Daphnis et Chloé & Stravinsky: Le sacre du printemps featuring Rafael Payare and Orchestre symphonique de Montréal is Gramophone...
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November 10, 2026
PENTATONE’s 25th Anniversary Celebrations Continue in New York City
This past Tuesday, we celebrated the New York edition of our anniversary celebrations at National Sawdust. The evening was filled with extraordinary music,...
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November 10, 2026
The Classical Source: Five Stars for Signum Quartett’s ‘The Earth Trembled’
Signum Quartett’s The Earth Trembled, with quartets, songs and fragments by Janáček and Vítězslava Kaprálová, has been awarded five stars by The...
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November 10, 2026
The 2027 ICMA nominations have been announced!
We’re delighted to announce that 14 PENTATONE releases have been nominated for the 2027 International Classical Music Awards (ICMA). We are grateful for this...
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November 10, 2026
Scherzo on Francesco Piemontesi’s Brahms: “Elegance and a Balance between Drive and Lyricism”
Luis Suñén has reviewed Francesco Piemontesi’s Brahms album with the Gewandhausorchester Leipzig and Manfred Honeck for the Spanish magazine Scherzo, and...
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November 05, 2026
Zhenni Li-Cohen, Marin Alsop and the ORF RSO bring Bortkiewicz to light with world-premiere recording
Per Aspera ad Astra presents the world-premiere commercial recording of Bortkiewicz’s Rhapsody, Op. 45. Originally commissioned by the legendary one-armed...
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November 03, 2026
Mark Adamo’s Lysistrata earns five stars from Ritmo
Mark Adamo’s Lysistrata has been awarded five stars, the magazine’s top rating, by the Spanish magazine Ritmo, in a review by Pedro Coco. The review...
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November 03, 2026
Charlotte Hu’s ‘Goyescas’ receives top rating from Diapason
Charlotte Hu’s Goyescas has earned five diapasons, the magazine’s top rating, in the French magazine Diapason, in a review by Bertrand Boissard....
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November 03, 2026
Opus Klassiek: “Her Love for Sharp Articulations, Clear Dynamic Contrasts”
Emanuel Overbeeke has reviewed Charlotte Hu’s Goyescas for the Dutch website Opus Klassiek, offering a thoughtful reflection on the challenges of...
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November 03, 2026
The WholeNote: “Riveting Listening Throughout”
Michael Schulman has reviewed Charlotte Hu’s Goyescas for the Canadian magazine The WholeNote, and the verdict is clear: her recording is riveting...
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November 03, 2026
Pianist on Charlotte Hu’s ‘Goyescas’: “a colourful, lyrical style”
We are delighted to share that Charlotte Hu’s Goyescas has been reviewed by Arnoud Heerings for the Dutch magazine Pianist, which gives the album a rating...
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November 03, 2026
Qobuz Editor’s Pick: “A Lyricism That Bridges the Gap Between Opera and Musical Theatre”
François Hudry has reviewed Missy Mazzoli’s The Listeners for Qobuz, describing the opera as a captivating thriller about social rejection and abuses of...
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