George Frideric Handel

Concerto grosso in G Major, Op. 6, No.1 (HWV 319)

  1. 1) I. A tempo giusto

    1.44

  2. 2) II. Allegro

    1.42

  3. 3) III. Adagio

    2.27

  4. 4) IV. Allegro

    2.28

  5. 5) V. Allegro

    2.56

Concerto grosso in F Major, Op. 6, No. 2 (HWV 320)

  1. 6) I. Andante larghetto

    3.43

  2. 7) II. Allegro

    2.34

  3. 8) III. Largo

    2.17

  4. 9) IV. Allegro, ma non troppo

    2.12

Concerto grosso in E Minor, Op. 6, No. 3 (HWV 321)

  1. 10) I. Larghetto

    1.22

  2. 11) II. Andante

    1.32

  3. 12) III. Allegro

    2.27

  4. 13) IV. Polonaise. Andante

    3.45

  5. 14) V. Allegro, ma non troppo

    1.26

Concerto grosso in A Minor, Op. 6, No. 4 (HWV 322)

  1. 15) I. Larghetto affetuoso

    2.37

  2. 16) II. Allegro

    2.49

  3. 17) III. Largo e piano

    2.11

  4. 18) IV. Allegro

    2.35

Concerto grosso in D Major, Op. 6, No. 5 (HWV 323)

  1. 19) I. Larghetto e staccato

    1.48

  2. 20) II. Allegro

    2.08

  3. 21) III. Presto

    3.43

  4. 22) IV. Largo

    2.09

  5. 23) V. Allegro

    2.30

  6. 24) VI. Menuet. Un poco larghetto

    2.37

Concerto grosso in G Minor, Op. 6, No. 6 (HWV 324)

  1. 25) I. Largo affetuoso

    3.03

  2. 26) II. A tempo giusto

    1.40

  3. 27) III. Musette. Larghetto

    4.37

  4. 28) IV. Allegro

    2.54

  5. 29) V. Allegro

    2.17

CD information

MASTERLY AND APPEALING

The Akademie für Alte Musik Berlin kickstarts their Handel trilogy with this recording of the first six concerti grossi op. 6. Originally designed as attractive interludes to English oratorio performances, Handel’s concerti grossi soon gained fame as the most appealing orchestral music of the baroque era. Written in London in 1739, towards the end of his career, Handel paid tribute to the immensely popular concerti grossi of Corelli while simultaneously proving his mastery incorporating all musical styles of his times. Led by their concertmaster Bernhard Forck, the players of the Akademie für Alte Musik Berlin demonstrate why many consider them the best baroque ensemble of today. This first installment will be followed by the last six concerti grossi op. 6, as well as a recording of the concerti grossi op. 3. The ensemble’s first PENTATONE album, Cantata (2018) with countertenor Bejun Mehta, won a Diapason d’or.